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<title>verve... vivacity... virtue...</title>
<link>http://gelchris.multiply.com/</link>
<description>&#x22;There are two classes of poets- the poets by education and practice, these we respect; and the poets by nature, these we love&#x22; -Emerson-</description>
<pubDate>Wed, 14 May 2008 16:03:01 -0000</pubDate>
<lastBuildDate>Sun, 4 May 2008 16:09:45 -0000</lastBuildDate>

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<title>verve... vivacity... virtue...</title>
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<item>
<title>for Andouille</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;The Magic Moment. &#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;The Magic Ride&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;_Christian Licen_&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; tab-stops: 2.5in&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/I&#x3E;I wish I did a lot.&#x26;nbsp; I wish I could do more.&#x26;nbsp; But I could only wish.&#x26;nbsp; This wishful thinking about my life is but a dream revealed by the fiction of reality.&#x26;nbsp; Like a child who dreams of fantasies with a comical universe of its own and fairytales with its feel-good happy ending.&#x26;nbsp; I wish I were one again.&#x26;nbsp; Just as the dogmatic writer, Paolo Coelho says, &#x201C;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;We have to listen to the child we once were, the child who still exists inside us.&#x26;nbsp; That child understands magic moments.&#x26;nbsp; We can s...</description>
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<pubDate>Sun, 4 May 2008 16:09:45 -0000</pubDate>
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<item>
<title>sa pakalssssss......</title>
<description>lewlsss... nadayon jud me! reminiscing the good old days.... whatta a big change.. marton ikaw nana? salvee? gettin sexier? ahhaha and me? ambot ...^^ kamo nalay</description>
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<pubDate>Sun, 4 May 2008 15:45:25 -0000</pubDate>
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<item>
<title>Memories all alone the moonlight</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Memory of the Sunken &#x3C;/B&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Noon&#x3C;/B&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Christian Ray Licen&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Young were the days&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;When she held me on her lap&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Seated against the wicker chair&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;So much to paint&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;that picture&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;When words were- but&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;milk-&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And I am an infant- sucking &#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Her succulent tender breasts.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x201C;Honey-sweet&#x201D;, I reckon.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Though tastelessly lactic&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;they would say.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And she would nimble&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To hear me say, &#x2018;ma-ma&#x2019;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And eke out a gentle smile&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Pressing me to her bosom&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;With a cradling nocturne&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Of the young evening.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And when the sun warms&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;The mattress,&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;The soaked dampen sheets,&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;She wouldn&#x2019;t tire to change&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;With hands to thread the pleats.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Until the day stretches the hammock&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To suspend the calloused toil&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Amid the fecund bloom of noon&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;But the sun&#x2019;s disk had shrunk.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Like a raisin wrinkled on the soil.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And where was I to find?&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Just above the festered earth&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Drenched by the sediments of my calling,&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;:&#x201D;Mama! Mama!&#x201D;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Words were there to mouth&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;The frothing curdles of milk&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And the silence braced the dusk&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;A knot...</description>
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<pubDate>Mon, 14 Apr 2008 15:07:12 -0000</pubDate>
</item>

<item>
<title>pensive soul</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Love Divine, Love Madness&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Poetry the saddest&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;What madness lies in me tonight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To fill the shadowy corners of my sight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To write some poetry, succeed? I wonder.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Or orphan defeat. You reconsider.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Such madness knows no contrite&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;But curse my heart so fraught with fright.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;My face frown a chagrin stare&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;That bellows the cries of the solitary air&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;But afar my sight, though distance nearing&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;A soul in flaming red-hot glaring,&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Came nearer and nearer, then ember-cold&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Like ashes crumbled from the heavens untold.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To fill the gaps in my head&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And clear my blurry sight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;To ease my heart&#x2019;s despair&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And calm the rubble plight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Oh what success I count&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;In my poetry tonight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;That it gives a magic treat&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And write with eternity my heart&#x2019;s delight&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;A soul in the shadows so bitter-sweet&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x26;nbsp;&#x3C;/P&#x3E;</description>
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<pubDate>Fri, 11 Apr 2008 17:20:43 -0000</pubDate>
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<item>
<title>oeuvre III</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;To my one and only&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;Eternal&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Beneath the belly of the skies&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;A fond seedling grows&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And where it sprouts&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; Green. Green. Green.&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; Seedbed of the rose.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;The ephemeral city lights&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Just go round about me&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;And where I sit in the center&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; Wind. Wind. Wind.&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; ...</description>
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<pubDate>Fri, 28 Mar 2008 05:17:19 -0000</pubDate>
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<item>
<title>Criticism on William Butler Yeats</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Metaphor and Meaning in&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;William &#x3C;/B&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Butler&#x3C;/B&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E; Yeats&#x2019; Poetry&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;-Christian Ray Licen&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;BA English Major in Literature&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt 0.25in; LINE-HEIGHT: 150%; TEXT-ALIGN: justify; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Metaphor&#x3C;/I&#x3E; from Greek &#x3C;EM&#x3E;metapherein&#x3C;/EM&#x3E; means to transfer (from &#x3C;EM&#x3E;meta-&#x3C;/EM&#x3E; + &#x3C;EM&#x3E;pherein&#x3C;/EM&#x3E; to bear).&#x26;nbsp; It is the expression of an understanding of one concept in terms of another concept, where there is some similarity or correlation between the two (&#x3C;A href=&#x22;http://www.sil.org/linguistics&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;www.sil.org/linguistics&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;).&#x26;nbsp; In poetry, Metaphor takes its roots in figurative locution that states a transfer of features, characteristics and details from objects, ideas or events.&#x26;nbsp; The concept employs metaphor as fundamentally general.&#x26;nbsp; &#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Meaning&#x3C;/I&#x3E;, on the other hands, is the essential construction of thought revealed by major salient elements in poetry. In this analysis, I combined the two for the purpose of unraveling a terse understanding of William Butler Yeats&#x2019; turgid poesy.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt 0.25in; LINE-HEIGHT: 150%; TEXT-ALIGN: justify; mso-margin-top-alt: auto; mso-margin-bottom-alt: auto&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nb...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/59/Criticism_on_William_Butler_Yeats</guid>
<pubDate>Mon, 17 Mar 2008 06:11:45 -0000</pubDate>
</item>

<item>
<title>comparative literature</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Licen, Christian Ray C.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;BA English Major in Literature&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;III-V&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Comparative Literature: Chaucer, Shakespeare and Milton&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;A Critical Essay&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify&#x22;&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/B&#x3E;Chaucer, Shakespeare and Milton are three famous giants in the literary world. &#x26;nbsp;Each of them leaped a towering bulk of significant literary canon, thus, bringing about an indelible and formidable impression until this post-modern era.&#x26;nbsp; Notably, these prime shakers had not just enkindled their literary flare to its utmost luminescence but also belted out the course of literary history with an iron hand. Chaucer gradually pioneered a major historical change in the development of English had it not been by the influence of Giovanni Boccaccio&#x2019;s Decameron, Juan ...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/58/comparative_literature</guid>
<pubDate>Sun, 16 Mar 2008 18:36:54 -0000</pubDate>
</item>

<item>
<title>post-structuralist</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Licen, Christian Ray C.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;BA English Major in Literature&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;III-V&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Criticism of Fiction: Post-Structural Analysis&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Selection: Chinua Achebe&#x2019;s Dead Men&#x2019;s Path&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Post-Structural Analysis:&#x3C;BR&#x3E;Chinua Achebe&#x2019;s Dead Men&#x2019;s Path&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-INDENT: 99pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify; tab-stops: 153.0pt&#x22;&#x3E;This story by Chinua Achebe is a conflict between individual aspirations and communal rites.&#x26;nbsp; Central to the story is the issue of Obi who is appointed as the new headmaster of Ndume Central School wherein he wishes to renovate the school by way of pegging out its parameters.&#x26;nbsp; This attempt of his has brought about a communal turmoil among the local settlers and native villagers because it would only mean a closure of their road toward the shrine where most of their rituals take place.&#x26;nbsp; Obi, though filled with energy and potential to establish good rapport with the people, is scandalized by an old woman&#x2019;s trespassing of their school. That prompts him to fence around whole the school vicinity, thus prohibiting the native pilgri...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/57/post-structuralist</guid>
<pubDate>Sun, 16 Mar 2008 07:41:56 -0000</pubDate>
</item>

<item>
<title>psychoanalysis criticism</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;Licen, Christian Ray C.&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;BA English Major in Literature&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;III-V&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;&#x26;nbsp;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;Criticism of Fiction: Psychoanalysis Criticism&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;Selection: Charlotte Perkins Gilman&#x2019;s &#x2018;The Yellow Wallpaper&#x2019;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;&#x26;nbsp;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;Psychoanalysis Criticism:&#x3C;/FONT&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;Charlotte Perkins Gilman&#x2019;s &#x2018;The Yellow Wallpaper&#x2019;&#x3C;/FONT&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;&#x26;nbsp;&#x3C;/FONT&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P style=&#x22;LINE-HEIGHT: 150%; TEXT-ALIGN: justify&#x22;&#x3E;&#x3C;FONT color=#ffffff&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/B&#x3E;In this story, the narrator suffers from nervous condition namely postpartum depression.&#x26;nbsp; Together with her husband who is a doctor, they move in to a temporary old mansion house for a rest-cure therapy where she is to recuperate in solitude- free from any mental, physical and emotional activity.&#x26;nbsp; Her husband has forbidden her to write because it is taxing and tedious on her part.&#x26;nbsp; All she has to do is to simply rest and empty her s...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/56/psychoanalysis_criticism</guid>
<pubDate>Sun, 16 Mar 2008 06:02:31 -0000</pubDate>
</item>

<item>
<title>marxist analysis</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Licen, Christian Ray C.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;BA English III-V&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Criticism of Fiction: Marxist Critical Theory&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Selection: Bharati Mukherjee&#x2019;s &#x201C;Jasmine&#x201D;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Marxist Criticism:&#x3C;BR&#x3E;Bharati Mukherjee&#x2019;s &#x201C;Jasmine&#x201D;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; tab-stops: 189.75pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify; tab-stops: 1.5in&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; The story centers on the plight of Jasmine as an illegal immigrant in the U.S.&#x26;nbsp; Coming from a middle-class family in Trinidad, Port-of-Spain, she is ferried off through the boarders of Windsor to get into Detroit.&#x26;nbsp; Whoever is to blame in her escapade, it is her father, Dr.Vassanji who keeps pushing her to seek for &#x201C;greener pastures&#x201D; in the land of milk and honey, America.&#x26;nbsp; By way of &#x201C;greener pastures&#x201D;, the author denotes not just an idiomatic locution, but in the most overt literal sense, the dollar.&#x26;nbsp; Such that in a state where most Black Americans dwe...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/53/marxist_analysis</guid>
<pubDate>Sat, 15 Mar 2008 18:12:20 -0000</pubDate>
</item>

<item>
<title>New Criticism Analysis</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Licen, Christian Ray C.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;BA English Major in Literature&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;III-V&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;English 110: Criticism of Fiction&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Selection:&#x26;nbsp; Kate Chopin&#x2019;s &#x201C;Desiree&#x2019;s Baby&#x201D;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Critical Approach: New Criticism&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Kate Chopin&#x2019;s &#x2018;Desiree&#x2019;s Baby&#x2019;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;New Criticism Approach&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; The story opens when Madam Valmonde visited Desiree, the protagonist in the story, to see her baby.&#x26;nbsp; Upon her way to L&#x2019;Abri, Madam Valmonde reminisced Desiree&#x2019;s childhood days with her, being her surrogate mother.&#x26;nbsp; Events began to unfold upon Mdm. Valmonde&#x2019;s recollection of Desiree&#x2019;s past.&#x26;nbsp; Chopin&#x2019;s use of the &#x201C;flashback&#x201D; technique enables us to browse through a series of incidents that will pile up to the crux of the crisis.&#x26;nbsp; It was eighteen years ago when Armand Aubigny, riding by his horse, that he caug...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/52/New_Criticism_Analysis</guid>
<pubDate>Wed, 12 Mar 2008 18:19:29 -0000</pubDate>
</item>

<item>
<title>Post Modern analysis</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;EM&#x3E;Licen, Christian Ray C.&#x3C;/EM&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;EM&#x3E;BA English Major in Literature&#x3C;/EM&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;EM&#x3E;III-V&#x3C;/EM&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Selection: &#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Gabriel Garcia Marquez&#x2019; &#x201C;Death Constant Beyond Love&#x201D;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;Critical Approach: Post-Modernism&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Post Modern Analysis of&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;Gabriel Garcia Marquez&#x2019; &#x2018;Death Constant Beyond Love&#x2019;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: justify&#x22;&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify&#x22;&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/B&#x3E;Forty-two, happily married, stable and successful in his mid-career as a politician in full control and power, Senator Onesimo Sanchez is made to feel suddenly helpless and hopeless when told that he will die the soonest for about six months and eleven days.&#x26;nbsp; With the conflict given beforehand, events unfold as to how the protagonist lives up to the fullest for his remaining days.&#x26;nbsp; Eventually, his political maneuverings for the upcoming elections of seeking another post as a senator had persisted, thus, pinning down ...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/51/Post_Modern_analysis</guid>
<pubDate>Wed, 12 Mar 2008 17:26:24 -0000</pubDate>
</item>

<item>
<title>The Narrative</title>
<description> &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;The Litany of the Mimetic&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;STRONG&#x3E;Christian Ray Licen&#x3C;/STRONG&#x3E;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;I commence. &#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Amen!&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x2026;That this silence is perturbed by the anonymous conceit of a soul trapped between the realm of the surreal, perhaps just &#x201C;an overdose of reality&#x201D; &#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;I speak. Truth.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x2026; And what lies linger on the buoyant torrent? I&#x2019;m submerged in the ocean of choices. Half-filled? Whole? Ah, the meniscus perhaps.&#x26;nbsp; I can always surface beyond a cylindrical measure out of the fluid perplexity of my random volition.&#x26;nbsp; &#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; Gravity is mere pull; and so, I push my self down and down&#x26;nbsp; the water, the universal solution.&#x26;nbsp; I just wish--- to see through its filaments--- the light of this depleted existence.&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; The bubbles in the air- the bubbles in the air- are everywhere&#x2026;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;I stand. Erect. Still--&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x26;n...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/50/The_Narrative</guid>
<pubDate>Thu, 28 Feb 2008 18:07:08 -0000</pubDate>
</item>

<item>
<title>post-colonial criticism</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Selection: Nadine Gordimer&#x2019;s &#x201C;The Moment Before the Gun Went Off&#x201D;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;Critical Theory: Post- Colonialism&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;by: Licen, Christian Ray C&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;BA English Major in Literature&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;Post-Colonial Critical Approach:&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;Nadine Gordimer&#x2019;s The Moment Before the Gun Went Off&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; This story is so simple. Marais Van der Vyver, a white American politician and farm-owner, had been very interested to raise game as well as with cattle.&#x26;nbsp; So he hooted to Lucas, his favorite farmhand, to accompany him on the venture.&#x26;nbsp; Without hesitation, the innocent boy jumped onto the back of the truck.&#x26;nbsp; And off they drove with Van de Vyver arming a.30 ammunition beside him, confident enough that it was unloaded.&#x26;nbsp; Little did he know that upon driving over a pothole, the jolt caused the rifle to fire.&#x26;nb...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/49/post-colonial_criticism</guid>
<pubDate>Thu, 28 Feb 2008 15:46:57 -0000</pubDate>
</item>

<item>
<title>florilegium</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;Selection: Mary E. Wilkins Freeman&#x2019;s, The Revolt of &#x201C;Mother&#x201D;&#x3C;/FONT&#x3E;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;Critical Approach:&#x26;nbsp; Feminism&#x3C;/FONT&#x3E;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;by: Christian Ray C. Licen&#x3C;/FONT&#x3E;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;BA English Major in Literature&#x3C;/FONT&#x3E;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT size=5&#x3E;&#x26;nbsp;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;A Feminist Approach:&#x3C;/FONT&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;FONT size=5&#x3E;The Revolt of &#x201C;Mother&#x201D;&#x3C;/FONT&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT size=5&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; LINE-HEIGHT: 150%; TEXT-ALIGN: justify; tab-stops: 1.5in&#x22;&#x3E;&#x3C;FONT size=5&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; A feminist critique of Sarah Penn as the &#x201C;Mother&#x201D; simply demonstrates that she is no ordinary woman-slash-wife just driven away by her husband&#x2019;s chauvinism.&#x26;nbsp; The self-righteousness of Adoniram Penn, the patriarch of the Penn family, may have been effective to showcase the distinctive characters each of them exhibits.&#x26;nbsp; Seemingly, the crafting of these female cha...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/48/florilegium</guid>
<pubDate>Thu, 28 Feb 2008 15:43:35 -0000</pubDate>
</item>

<item>
<title>the rain, the keyboard and the ethereal</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;STRONG&#x3E;Oeuvre III&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Tonight, the rain echoes through my heart&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;From its distance I can hear&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;The silence of the static drops of fear&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;BR&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;How ethereal it must bid &#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Those cloudy days of December&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;And chase me by the night of a cold remember&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Upon my sitting, I&#x2019;m paralyzed by the thought&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Of losing you against the rain&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Which I dread nonetheless, the unbearable pain&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;By which circumstance, I shall merit&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;To suffer from spasmodic frisson&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;If death be told to choose between love and reason&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;So tonight, no more static drop of fears&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;For I shall wash away this elegy fraught with tears.&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/47/the_rain_the_keyboard_and_the_ethereal</guid>
<pubDate>Thu, 14 Feb 2008 17:10:55 -0000</pubDate>
</item>

<item>
<title>the conceited mind speaks the wisdom of the gentle heart</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=6&#x3E;Oeuvre II&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=6&#x3E;Christian Ray Licen&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=6&#x3E;&#x26;nbsp;&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;That upon the absence of prosodic locution&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Is an invisible real&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;More than touch, superseding feel&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Cleaves to your sinews&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;But your soul, the unwavering seal!&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;Such&#x26;nbsp;incarnation&#x27;s divine stance&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Heave to the pocket-patch of chance&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;I dare not count how many&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;The crinkle of the silvery penny&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Silent as they fall by the murmurs crease&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;And roll and roll half past my shadows&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Before the sight of the trick&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;Oh, the lucky I make of the burrows&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;The silvery penny, still round I pick!&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22; size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/46/the_conceited_mind_speaks_the_wisdom_of_the_gentle_heart</guid>
<pubDate>Wed, 13 Feb 2008 16:29:23 -0000</pubDate>
</item>

<item>
<title>What is Love Like?</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;B style=&#x22;mso-bidi-font-weight: normal&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x3C;IMG class=alignright src=&#x22;http://images.gelchris.multiply.com/image/1/photos/upload/300x300/R7L5ewoKCCAAAAO@PW01/love1.jpg?et=1X956bZpr8qxuomjd%2C7pcQ&#x26;amp;nmid=&#x22; border=0&#x3E;Kahlil Gibran &#x3C;/I&#x3E;&#x3C;/B&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt; TEXT-ALIGN: center&#x22; align=center&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;On Love&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;I style=&#x22;mso-bidi-font-style: normal&#x22;&#x3E;&#x26;nbsp;&#x3C;/I&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT size=5&#x3E;When love beckons to you, follow him,&#x3C;BR&#x3E;Though his ways are hard and steep.&#x3C;BR&#x3E;And when his wings enfold you yield to him,&#x3C;BR&#x3E;Though the sword hidden among his pinions may wound you.&#x3C;BR&#x3E;And when he speaks to you believe in him,&#x3C;BR&#x3E;Though his voice may shatter your dreams as the north wind lays waste the garden. &#x3C;BR&#x3E;&#x3C;BR&#x3E;For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.&#x3C;BR&#x3E;Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,&#x3C;BR&#x3E;So shall he descend to your roots and shake them in their clinging to the earth. &#x3C;BR&#x3E;&#x3C;BR&#x3E;Like sheaves of corn he gathers you unto himself.&#x3C;BR&#x3E;He threshes you to make you naked.&#x3C;BR&#x3E;He sifts you to free you from your husks.&#x3C;BR&#x3E;He grinds you to whiteness.&#x3C;BR&#x3E;He kneads you until you are pliant;&#x3C;BR&#x3E;And then he assigns you to his sacred fire, that you may become sacred bread for God&#x27;s sacred feast. &#x3C;BR&#x3E;&#x3C;BR&#x3E;All these things shall love do unto you that you may know the secrets of your heart, and in that knowledg...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/45/What_is_Love_Like</guid>
<pubDate>Wed, 13 Feb 2008 14:07:17 -0000</pubDate>
</item>

<item>
<title>Now Showing</title>
<description>&#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;A href=&#x22;http://gelchris.multiply.com/photos/hi-res/upload/R7Lr5AoKCCAAAAvWFWQ1&#x22;&#x3E;&#x3C;IMG class=alignleft src=&#x22;http://images.gelchris.multiply.com/image/1/photos/upload/300x300/R7Lr5AoKCCAAAAvWFWQ1/Untitled-1%20%21copy.jpg?et=MY4FQUZv6zlWYvYwmCBehw&#x26;amp;nmid=&#x22; border=0&#x3E;&#x3C;/A&#x3E;In fulfillment of&#x26;nbsp;Temple Head Productions Assocation&#x27;s dream of promoting intellectually creative digital cinema&#x26;nbsp;experience,&#x26;nbsp;we proudly bring you a different twist, a unique story that will sweep the records off.&#x26;nbsp; Inspired by postmodern literary artist&#x26;nbsp;Jorge Louis Borges and Contemporary poet,&#x26;nbsp;Robert Frost, Nevermore Virginia takes you to the convergence of two disparate realms.&#x26;nbsp; The first,&#x26;nbsp;that of a frustrated writer-wannabe who in his past life had never succeeded in&#x26;nbsp;the pursuit of becoming an established writer; Second, that of a promising student who is compromised by her mother&#x27;s dream for her.&#x26;nbsp;Wherefore, given the&#x26;nbsp;possible&#x26;nbsp;happenstances, how can&#x26;nbsp;reality ever reconcile the divergence of time when the destiny of one is shaped by the destiny of the other?&#x26;nbsp; &#x3C;EM&#x3E;&#x22;Time unfolds another dimension- that which is forked&#x26;nbsp;until two roads diverge on a yellow wood&#x22;&#x3C;/EM&#x3E;&#x3C;/FONT&#x3E;&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;Showing on Friday, February 15, 2007 at CNU Conference Room...</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/44/Now_Showing</guid>
<pubDate>Wed, 13 Feb 2008 13:16:14 -0000</pubDate>
</item>

<item>
<title>Oeuvre I</title>
<description>&#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;I&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;To love and be loved&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Is like a clutter&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;The bigger things covet your eyes&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Some garish sight of gold and silver&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;The hapless random&#x26;nbsp;pile by pile&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Only the dust of the rustic gutter&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Powdery dreams in ember belch&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;The smothered hearth of desire&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;What better things than minute scale&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Leaves to the spool of the squalid spider-&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Filament after filament threading&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;The prick of the preppy paper-&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Patch and sort in detail and sum&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Bigger things, the minutest ones-&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;Or just&#x26;nbsp;a &#x26;nbsp;paste of&#x26;nbsp;Bazooka bubblegum-&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=MsoNormal style=&#x22;MARGIN: 0in 0in 0pt&#x22;&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=Verdana size=5&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x26;nbsp;&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/43/Oeuvre_I</guid>
<pubDate>Fri, 8 Feb 2008 17:35:34 -0000</pubDate>
</item>

<item>
<title>birthday cheers! 20 najud ko</title>
<description>epi berthdei to meeeeee.....</description>
<guid isPermaLink="true">http://gelchris.multiply.com/photos/album/20/birthday_cheers_20_najud_ko</guid>
<pubDate>Tue, 29 Jan 2008 04:55:37 -0000</pubDate>
</item>

<item>
<title>id like to build a world a home and furnish it with love</title>
<description>grow apple trees and honey bees and snow-white turtle</description>
<guid isPermaLink="true">http://gelchris.multiply.com/photos/album/19/id_like_to_build_a_world_a_home_and_furnish_it_with_love</guid>
<pubDate>Mon, 28 Jan 2008 16:15:37 -0000</pubDate>
</item>

<item>
<title>Sinulog Churva part II</title>
<description>the mayas, mayette and gurly</description>
<guid isPermaLink="true">http://gelchris.multiply.com/photos/album/18/Sinulog_Churva_part_II</guid>
<pubDate>Tue, 22 Jan 2008 04:24:53 -0000</pubDate>
</item>

<item>
<title>Lovers in Jones</title>
<description>;p comment pa</description>
<guid isPermaLink="true">http://gelchris.multiply.com/photos/album/17/Lovers_in_Jones</guid>
<pubDate>Mon, 21 Jan 2008 12:38:50 -0000</pubDate>
</item>

<item>
<title>sinulog churva part I</title>
<description>atik nanatch gam gonulish... atik nanatch gam pit noyresh!</description>
<guid isPermaLink="true">http://gelchris.multiply.com/photos/album/16/sinulog_churva_part_I</guid>
<pubDate>Mon, 21 Jan 2008 11:43:57 -0000</pubDate>
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<item>
<title>My Love and the Pacific</title>
<description>&#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x3C;IMG class=alignright src=&#x22;http://images.gelchris.multiply.com/image/1/photos/upload/300x300/R3p68woKCCAAABlTR0w1/459567385.jpg?et=wMlL3Rl%2CzofSssqlwzJRJg&#x26;amp;nmid=&#x22; border=0&#x3E;Tonight I speak&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; of&#x26;nbsp; the Pacific&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;where &#x3C;EM&#x3E;dreams abound the ocean hue&#x3C;/EM&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;farther&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; and farther&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;yet nearing its shore.&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;/FONT&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;Tonight&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; I write about the pacific&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;where words sail by the &#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;blue&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;deeper&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; and&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;deeper&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;and closest to the floor.&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;/FONT&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;Tonight&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;I see the &#x3C;EM&#x3E;Pacific&#x3C;/EM&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x26;nbsp;&#x26;nbsp;&#x26;nbsp; &#x3C;STRONG&#x3E;by a drop of tears for you&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;come and you shall gather&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;/FONT&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;&#x3C;EM&#x3E;my love-&#x3C;/EM&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT face=&#x22;trebuchet ms&#x22;&#x3E;&#x3C;STRONG&#x3E;a -plenty more!&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;-Langga-&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://gelchris.multiply.com/journal/item/42/My_Love_and_the_Pacific</guid>
<pubDate>Tue, 1 Jan 2008 17:35:46 -0000</pubDate>
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